And while criticisms are wont to surface about the project being "too soon," about filmmakers and studios wanting to cash in on human grief, we point out that it would be dishonest to ignore the event altogether. Having penned a proverbial love letter to the Massachusetts capital with The Fighter, Johnson and Tamasy are likely to paint a second picture of a shining, powerful city in this new project, for which they have acquired the adaptation rights to the developing book Boston Strong, presently being written by journalists Casey Sherman and Dave Wedge.
Reservations about such delicate material, especially in the immediate wake of their occurrence, are understandable. Oftentimes, filmmakers do jump the gun in the attempt to bring certain real world tragedies to the screen. But we have reached an era where candid, biting film projects not only pay tribute to the events they capture, but also provoke conversations about them, their effects, and their causes. And while sensitivity is important, this sort of dialogue is the most necessary avenue to take following events like these.
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