The three-year co-production deal with China Film Co. gives the company needed leverage as it eyes a new Hollywood partner.
The three-year co-production agreement announced May 30
between Legendary Entertainment’s Beijing-based Legendary East and the
state-backed China Film Co. is the latest high-profile example of the
uneasy alliance between the world’s two biggest film industries. But is
it legit?
After all, this isn’t Legendary’s first headline-grabbing deal in China. Legendary CEO Thomas Tull launched
Legendary East in 2011 amid much fanfare surrounding a reported 50
percent stake in the company taken by Hong Kong’s Paul Y. Engineering
Group in exchange for a $220.5 million cash injection and a 9.9 percent
stake held by powerful Chinese studio Huayi Brothers, which also was
going to handle distribution for the company’s planned two releases a
year.
Within a year, the deal fell apart amid reports of shaky investor confidence, and no film projects ever were announced.
This time around, insiders say the new alliance is a
genuine coup thanks to the power and influence of China Film Co. and its
chairman, Han Sanping, which is certain to help Legendary East CEO Peter Loehr attract the country’s burgeoning army of investors — a key objective.
Says an executive with extensive experience in China, “One
never knows completely with China Film, but I believe Peter knows what
he’s doing.”
The deal certainly comes at a pivotal time for Legendary,
which has had success during recent years backing several Warner Bros.
hits including the Hangover and Batman franchises, this year’s 42 and the upcoming Pacific Rim.
With its Warners distribution deal set to expire in December and Tull
said to be unhappy with the current arrangement, Legendary has been the
subject of much Hollywood speculation over whether it will embrace a new
suitor (Universal or another studio).
Legendary’s China deal now gives it added leverage in
those talks. The company can count on having a multipicture partner that
happens to be not only one of China’s most influential and
resource-laden film entities but also one of only two licensees that can
distribute imported blockbusters and have a say in how they are
scheduled for release. With the new deal in place, Legendary could be
spared the frustration it experienced in 2012 when The Dark Knight Rises underperformed in China after it was slotted to open the same week as The Amazing Spider-Man.
Even with these added release benefits, most observers
agree the primary objective for Legendary is increased access to Chinese
money. And if all goes well, there could be an even bigger target in
mind — one that might signal aspirations beyond partnering with a U.S.
studio to distribute films.
Says one veteran Hollywood exec of Tull’s intentions,
“More and more, it feels like his plan is ultimately to attract such
heavyweight capital that he can buy a studio — which could be very
interesting to the Chinese.”
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